Utilize este identificador para referenciar este registo: http://hdl.handle.net/10400.19/1225
Título: Happy Days: from stage to screen. A way to approach Samuel Beckett and his absurdity to a public that is not traditionally close to his type of art.
Autor: Pedrosa, Ana Bárbara
Palavras-chave: Beckett
Theatre
Cinema
Happy days
Absurdness
Data: Dez-2011
Editora: Instituto Politécnico de Viseu
Citação: Pedrosa, Ana Bárbara (2011). Happy Days: from stage to screen. A way to approach Samuel Beckett and his absurdity to a public that is not traditionally close to his type of art. Millenium, 41 (julho/dezembro). Pp. 37‐46
Relatório da Série N.º: ;41
Resumo: The aim of this study is to analyse the project (Beckett on Film) that adapted Happy Days, one of Beckett’s plays, written between 8th October 1960 and 14th May 1961 to the screen. A special attention is given to the strong visual features and to the simultaneous human and unreal nature of Beckett’s characters. Finally, it is given a perception on the Beckettian worldwide panorama, which now includes a project on film that made Beckett’s wishes of not having variances from what he created prevail.
Peer review: yes
URI: http://hdl.handle.net/10400.19/1225
Aparece nas colecções:RE - Número 41 - Dezembro de 2011

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