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Abstract(s)
O universo, que circunscreve a obra da escritora
portuguesa Ana Teresa Pereira, compõe-se de constantes e
obsessivas enunciações, provenientes do diálogo que os textos
estabelecem com a Literatura e com outras formas de Arte, um
intercurso obsessivo, todavia coeso e revelador de uma
excecional cultura que permite a construção de um mundo e
linguagem muito especiais. Estes elementos constituem aquilo
a que chamamos, adotando a expressão de Rui Magalhães,
“sistema poético” pereiriano.
Analisando a presença e ação de intertextos, que se
manifestam de forma explícita, o objetivo deste artigo será
refletir sobre a forma como se entrecruzam e interpenetram
estes “mundos paralelos”, o universo pereiriano e o de “todas
as artes”, essencialmente aquelas que circunscrevem as
narrativas desta escritora (a Literatura, o Cinema, a Pintura e a
Música), conduzindo a intertextualidade àquilo a que Rui
Magalhães magistralmente apelidou “unitextualidade”
The universe, that defines the work of the Portuguese writer Ana Teresa Pereira, consists of constant and obsessive statements that come from the dialogue the texts establish with Literature and other forms of Art, an obsessive connection, yet cohesive and revealing of an exceptional culture, allowing the construction of a very special universe and language. These elements constitute what we call, adopting Rui Magalhães‟s expression, the pereiriano "poetic system". Analyzing the presence and the action of intertexts that are manifested explicitly, the aim of this paper is to reflect how these "parallel worlds” intersect and interpenetrate with the pereiriano universe and the one of "all the arts", mainly those that circumscribe this writer‟s narratives (Literature, Cinema, Painting and Music), leading the intertextuality to what Rui Magalhães has masterfully named "unitextuality".
The universe, that defines the work of the Portuguese writer Ana Teresa Pereira, consists of constant and obsessive statements that come from the dialogue the texts establish with Literature and other forms of Art, an obsessive connection, yet cohesive and revealing of an exceptional culture, allowing the construction of a very special universe and language. These elements constitute what we call, adopting Rui Magalhães‟s expression, the pereiriano "poetic system". Analyzing the presence and the action of intertexts that are manifested explicitly, the aim of this paper is to reflect how these "parallel worlds” intersect and interpenetrate with the pereiriano universe and the one of "all the arts", mainly those that circumscribe this writer‟s narratives (Literature, Cinema, Painting and Music), leading the intertextuality to what Rui Magalhães has masterfully named "unitextuality".
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Keywords
Ana Teresa Pereira obra literária intertextos explícitos elementos paratextuais literary work explicit intertexts paratextual elements