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Abstract(s)
Consagrado pela escrita da crônica, pela qual se tornou referência do gênero no Brasil, Rubem Braga ocupou grande parte de sua vida registrando o cotidiano. Este trabalho apresenta uma leitura de sete crônicas do escritor que retratam cenas da cidade. Com respaldo nos textos “Culturas híbridas, poderes oblíquos”, de Néstor García Canclini (2008), e “Tempo e Espaço”, de Zygmunt Bauman (2001), trazemos alguns questionamentos provindos dos estudos acerca da pós-modernidade, no que diz respeito à abordagem do espaço público, para propor uma diferenciação entre memória histórica e memória afetiva na obra de Braga.
Abstract Consecrated for his chronicle writings, which established him as a benchmark of the genre in Brazil, Rubem Braga dedicated much of his time recording everyday life. This paper analyses seven of Rubem Braga‟s chronicles spanning all of which depict city scenery. With the aid of Néstor García Canclini‟s “Hybrid cultures, Oblique powers” (2008) and Zygmunt Bauman‟s “Time and Space” (2001) I attempt to bring forth some questions regarding public space in postmodernity, so as to propose a difference between historic memory and affective memory in Rubem Braga‟s works.
Abstract Consecrated for his chronicle writings, which established him as a benchmark of the genre in Brazil, Rubem Braga dedicated much of his time recording everyday life. This paper analyses seven of Rubem Braga‟s chronicles spanning all of which depict city scenery. With the aid of Néstor García Canclini‟s “Hybrid cultures, Oblique powers” (2008) and Zygmunt Bauman‟s “Time and Space” (2001) I attempt to bring forth some questions regarding public space in postmodernity, so as to propose a difference between historic memory and affective memory in Rubem Braga‟s works.
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Keywords
Rubem Braga espaço público memória public space memory
Citation
Martins, Priscila Rosa (2014). Memória Afetiva e Memória Histórica nas Crônicas de Rubem Braga. Millenium, 46-A. Número Especial temático sobre Literatura. (novembro de 2014). Pp. 36-48.