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Abstract(s)
A representação do cenário no Novo Romance
Histórico brasileiro tem despertado pouco interesse na crítica
literária. A morfologia urbana composta por casas, casarões,
palácios, castelos, igrejas, pontes, logradouros, meios de
transporte e cidades é caracterizada e descrita conforme o
contexto de época. Muitos escritores analisam compêndios
históricos, documentos de época, arquivos, museus, numa
tentativa de representar ou (re)criar o pano de fundo dos
enredos históricos formulados. Os romances A República dos
Bugres (1999) e Conspiração Barroca (2008) do escritor
baiano Ruy Reis Tapioca conjugam-se como obras literárias
que remontam o passado histórico, recuperando os
pressupostos vigentes nos séculos XVIII e XIX,
nomeadamente a chegada da Família Real Portuguesa e a
Inconfidência Mineira.
O presente artigo averigua como o cenário histórico
é representado nesses romances, identificando a forma e o conteúdo trabalhado, por meio do recorte das descrições
narrativas. De modo a fundamentar a nossa reflexão
recorremos aos contributos de: Lowenthal (1998), Bury
(2006), Pons, (1996), White, (1992), entre outros. Por último,
a contribuição deste artigo visa expandir o olhar estético para
esse assunto tão instigante e ainda não devidamente explorado
pelo meio acadêmico.
The scene representation in the New Brazilian Historical Novel has aroused little interest of literary criticism. The urban morphology consisting of houses, mansions, palaces, castles, churches, bridges, public parks, transportation and cities is characterized and described as the time of context. Many writers analyze historical textbooks, documents of the period, archives, museums, in an attempt to represent or (re)create the background of historical scenes formulated. The novels A República dos Bugres (1999) and Conspiração Barroca (2008) of the bahian writer Ruy Reis Tapioca combine up as literary works dating back past history, recovering the prevailing assumptions in the eighteenth and nineteenth centuries, including the arrival of the Portuguese Royal Family and the Minas Conspiracy. This article scrutinizes how the historical setting is represented in these novels, identifying the form and content working through the outline of the narrative descriptions. In order to support our reflection we turn to the contributions of: Lowenthal (1998), Bury (2006), Pons, (1996), White (1992), among others. The contribution of this article aims to expand the aesthetic look into this matter as exciting and not yet fully explored by the academic world.
The scene representation in the New Brazilian Historical Novel has aroused little interest of literary criticism. The urban morphology consisting of houses, mansions, palaces, castles, churches, bridges, public parks, transportation and cities is characterized and described as the time of context. Many writers analyze historical textbooks, documents of the period, archives, museums, in an attempt to represent or (re)create the background of historical scenes formulated. The novels A República dos Bugres (1999) and Conspiração Barroca (2008) of the bahian writer Ruy Reis Tapioca combine up as literary works dating back past history, recovering the prevailing assumptions in the eighteenth and nineteenth centuries, including the arrival of the Portuguese Royal Family and the Minas Conspiracy. This article scrutinizes how the historical setting is represented in these novels, identifying the form and content working through the outline of the narrative descriptions. In order to support our reflection we turn to the contributions of: Lowenthal (1998), Bury (2006), Pons, (1996), White (1992), among others. The contribution of this article aims to expand the aesthetic look into this matter as exciting and not yet fully explored by the academic world.
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Keywords
representação do cenário Novo Romance Histórico Brasileiro Ruy Reis Tapioca A República dos Bugres (1999) Conspiração Barroca (2008) scene representation New Brazilian Historical Novel