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Advisor(s)
Abstract(s)
Partindo-se de um caminho de inquietações, questionamentos e de perplexidades acerca do lugar da ruralidade no mundo contemporâneo, e enquadrando-se a arte em relação imbrincada com a vida: uma arte democrática, colaborativa, relacional, site specific, no quotidiano, pobre e relacional, dentro dos fundamentos do movimento Fluxus, apresenta-se neste trabalho um relato integrativo e uma memória descritiva e crítica do processo de experimentação, a criação e a concretização do projeto artístico “Janelas para o Interior”. Nele podemos encontrar uma descrição e integração crítica das experiências artísticas propostas: os experimentum, construídos numa relação vivencial com o lugar da aldeia de Lusinde, concelho de Penalva do Castelo. Estes experimentum, trazendo elementos fundamentais, tais como a casa abandonada, a janela, os materiais com história, os testemunhos vivenciais, o trabalho agrícola e o quotidiano da aldeia, concretizaram-se em diferentes experiências artísticas.
A discussão final reflete acerca do potencial destas experiências artísticas para provocar sentidos e significados acerca do lugar da arte e do mundo rural numa sociedade em trânsito, capazes de trazer pistas e alternativas criativas e críticas para fenómenos como a desertificação, êxodo e abandono rural, e emigração em contexto português, nas tensões entre o público e o privado.
Reflete-se sobre uma arte emancipadora, para todos, que horizontaliza e gera encontros, e que preserva a memória e cria identidades: numa celebração do passado, na experiência do presente e na reinvenção dos futuros da ruralidade em Portugal, com vista ao desenvolvimento de uma cidadania artística, plena, ativa e interventiva
Starting from a path of concerns, questions and perplexities about the place of rurality in the contemporary world, and framing the art in a deep relation with life: a democratic, collaborative, relational, site specific, in everyday life, poor and relational art, within the grounds of the Fluxus movement, this paper presents an integrative report and a critical description of the process of experimentation, creation and implementation of the artistic project "Janelas para o Interior." In it we find a description and a critical integration of artistic experiences proposals: the experimentum, built in experiential relationship with the place of the village of Lusinde, Penalva do Castelo municipality. These experimentum, bringing key elements, such as the abandoned house, the window, the materials with history, experiential testimonies, agricultural work and daily life of the village, implemented in different artistic experiences. The final discussion reflects on the potential of these artistic experiences to provoke the senses and meanings about the place of art and the rurality in a society in transit, able to bring clues and critical and creative alternatives to phenomena such as desertification, rural depopulation and abandonment, emigration, in the portuguese context, within the tensions between public and private. It is reflected on an emancipatory art, for everyone, which flattens and generates encounters, that preserves the memory and creates identities: a celebration of the past, experience of the present and the future reinvention of rurality in Portugal, in order to develop an artistic citizenship, active and interventionist.
Starting from a path of concerns, questions and perplexities about the place of rurality in the contemporary world, and framing the art in a deep relation with life: a democratic, collaborative, relational, site specific, in everyday life, poor and relational art, within the grounds of the Fluxus movement, this paper presents an integrative report and a critical description of the process of experimentation, creation and implementation of the artistic project "Janelas para o Interior." In it we find a description and a critical integration of artistic experiences proposals: the experimentum, built in experiential relationship with the place of the village of Lusinde, Penalva do Castelo municipality. These experimentum, bringing key elements, such as the abandoned house, the window, the materials with history, experiential testimonies, agricultural work and daily life of the village, implemented in different artistic experiences. The final discussion reflects on the potential of these artistic experiences to provoke the senses and meanings about the place of art and the rurality in a society in transit, able to bring clues and critical and creative alternatives to phenomena such as desertification, rural depopulation and abandonment, emigration, in the portuguese context, within the tensions between public and private. It is reflected on an emancipatory art, for everyone, which flattens and generates encounters, that preserves the memory and creates identities: a celebration of the past, experience of the present and the future reinvention of rurality in Portugal, in order to develop an artistic citizenship, active and interventionist.
Description
Keywords
Ruralidade Arte e vida Experiências artísticas Abandono rural Rurality Rural abandonment Art and life Artistic experiences
Citation
Publisher
Instituto Politécnico de Viseu, Escola Superior de Educação de Viseu