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Advisor(s)
Abstract(s)
A literatura popular de transmissão oral surge ameaçada pela invasão dos media, particularmente a
internet, televisão e a rádio, afastando as pessoas de momentos de tradição oral em convívios e locais
propícios para a transmissão de contos, lendas, poesias e cantares. Neste trabalho pretendemos falar sobre
os contadores de histórias e a sua importância para a preservação da mais antiga forma de narrativa, a
oral. Através dos contadores iremos analisar a evolução do ato de contar histórias e da performance. O
contador de histórias preserva o património tradicional ao transmitir enredos, valores, saberes, modelos e
preconceitos do meio em que está inserido. Este é também um criador, pois cria a sua própria
performance e submete-a ao crivo dos ouvintes.
Para esta dissertação entrevistámos dois contadores de histórias que nos ajudaram a entender as
diferenças entre o contador tradicional e contemporâneo. Certos de que a tradição oral é um dos
elementos característicos e espontâneos do património cultural do povo e a expressão da sua identidade,
no final do trabalho deixamos uma proposta para ajudar os animadores a desenvolver a sua capacidade de
contar e incentivar a dinamização de atividades que recuperem esta velha forma de tradição.
Popular literature of oral transmission appears threatened by the invasion of the media, particularly the internet, television and radio, driving people away from moments of oral tradition and gatherings in places suitable for the transmission of stories, legends, poems and songs. In this work we intend to talk about the storytellers and their importance for the preservation of the most ancient form of storytelling, oral. Through the counters will analyze the evolution of storytelling and performance. The storyteller preserves the traditional heritage to convey storylines, values, knowledge, models and prejudices of the medium in which it appears. This is also a creator, it creates its own performance and submit it to the scrutiny of the listeners. For this dissertation interviewed two storytellers who helped us understand the differences between traditional and contemporary counter. Certain that the oral tradition is one of the characteristic elements and spontaneous cultural heritage of the people and the expression of their identity, leave work at the end of a proposal to help the animators to develop their ability to count and to encourage the promotion of activities to recover this old form of tradition.
Popular literature of oral transmission appears threatened by the invasion of the media, particularly the internet, television and radio, driving people away from moments of oral tradition and gatherings in places suitable for the transmission of stories, legends, poems and songs. In this work we intend to talk about the storytellers and their importance for the preservation of the most ancient form of storytelling, oral. Through the counters will analyze the evolution of storytelling and performance. The storyteller preserves the traditional heritage to convey storylines, values, knowledge, models and prejudices of the medium in which it appears. This is also a creator, it creates its own performance and submit it to the scrutiny of the listeners. For this dissertation interviewed two storytellers who helped us understand the differences between traditional and contemporary counter. Certain that the oral tradition is one of the characteristic elements and spontaneous cultural heritage of the people and the expression of their identity, leave work at the end of a proposal to help the animators to develop their ability to count and to encourage the promotion of activities to recover this old form of tradition.
Description
Keywords
Performance Literatura popular Tradições Contador
Citation
Publisher
Instituto Politécnico de Viseu, Escola Superior de Educação de Viseu