Authors
Advisor(s)
Abstract(s)
Resumo
Quase três décadas após um dos períodos mais
dramáticos da história argentina (o período ditatorial de 1976-83),
o escritor argentino Martín Kohan escreveu a narrativa ficcional
Ciencias Morales. O romance explora como María Teresa, a
personagem principal, absorve gradualmente a ideologia
repressiva. Ela desenvolve um “gosto pela obediência”, uma
cumplicidade mórbida com o poder estabelecido da época. Neste
artigo, procuramos discutir o problema da introjeção acrítica do autoritarismo a partir das perspectivas de Freud, Zizek e Did-Huberman
Abstract Nearly three decades after one of the most dramatic periods of Argentine History (the 1976-83 dictatorial period), the Argentine writer Martín Kohan wrote the fictional narrative Ciencias Morales. The novel explores how María Teresa, the main character, gradually absorbs the repressive ideology. She develops a "taste for obedience," a morbid complicity with the established power at the time. In this article, we discuss the problem of uncritical introjection of authoritarianism based on the perspectives of Freud, Zizek and Didi-Huberman.
Abstract Nearly three decades after one of the most dramatic periods of Argentine History (the 1976-83 dictatorial period), the Argentine writer Martín Kohan wrote the fictional narrative Ciencias Morales. The novel explores how María Teresa, the main character, gradually absorbs the repressive ideology. She develops a "taste for obedience," a morbid complicity with the established power at the time. In this article, we discuss the problem of uncritical introjection of authoritarianism based on the perspectives of Freud, Zizek and Didi-Huberman.
Description
Keywords
Ciencias Morales Ditadura Martín Kohan Dictatorship
Citation
Skrepetz, Inês (2013). María Teresa: Uma Imagem Mórbida da Nação Argentina em Ciencias Morales de Martín Kohan. Millenium, 45 (junho/dezembro). Pp. 123-140.