Publication
Happy Days: from stage to screen. A way to approach Samuel Beckett and his absurdity to a public that is not traditionally close to his type of art.
| dc.contributor.author | Pedrosa, Ana Bárbara | |
| dc.date.accessioned | 2012-10-10T11:30:02Z | |
| dc.date.available | 2012-10-10T11:30:02Z | |
| dc.date.issued | 2011-12 | |
| dc.description.abstract | The aim of this study is to analyse the project (Beckett on Film) that adapted Happy Days, one of Beckett’s plays, written between 8th October 1960 and 14th May 1961 to the screen. A special attention is given to the strong visual features and to the simultaneous human and unreal nature of Beckett’s characters. Finally, it is given a perception on the Beckettian worldwide panorama, which now includes a project on film that made Beckett’s wishes of not having variances from what he created prevail. | por |
| dc.identifier.citation | Pedrosa, Ana Bárbara (2011). Happy Days: from stage to screen. A way to approach Samuel Beckett and his absurdity to a public that is not traditionally close to his type of art. Millenium, 41 (julho/dezembro). Pp. 37‐46 | por |
| dc.identifier.uri | http://hdl.handle.net/10400.19/1225 | |
| dc.language.iso | eng | por |
| dc.peerreviewed | yes | por |
| dc.publisher | Instituto Politécnico de Viseu | por |
| dc.relation.ispartofseries | ;41 | |
| dc.subject | Beckett | por |
| dc.subject | Theatre | por |
| dc.subject | Cinema | por |
| dc.subject | Happy days | por |
| dc.subject | Absurdness | por |
| dc.title | Happy Days: from stage to screen. A way to approach Samuel Beckett and his absurdity to a public that is not traditionally close to his type of art. | por |
| dc.type | journal article | |
| dspace.entity.type | Publication | |
| oaire.citation.conferencePlace | Viseu | por |
| oaire.citation.endPage | 46 | por |
| oaire.citation.startPage | 37 | por |
| oaire.citation.title | Millenium | por |
| rcaap.rights | openAccess | por |
| rcaap.type | article | por |