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Abstract(s)
Este relatório resulta do estágio realizado no Trigo Limpo teatro ACERT no ano letivo de 2020/2021. Reúne uma abordagem teórica sobre o que é o teatro: enquanto comunicação, criador de espaço público, processo, alteridade e construtor de territórios. O espetáculo “Queima e Rebentamento do Judas” do Trigo Limpo teatro ACERT é estudado e acompanhado durante o estágio que culmina no projeto Rastilho – Memorar a “Queima e Rebentamento do Judas” ACERT, 1986-2020, uma obra de compilação de vários documentos analisados sobre o espetáculo durante todos os anos da sua existência. A relação entre o público e o espetáculo tem características comunicacionais no sentido amplo da palavra, sendo esse o grande foco deste estudo.
This report results from the internship held at Trigo Limpo Teatro ACERT in the academic year of 2020/2021. It brings together a theoretical approach to what theater is: as a communication, creator of public space and, as a theatrical process, alterity and territory builder. The show “Queima e Rebentamento do Judas” by Trigo Limpo Teatro ACERT is studied and accompanied during the internship that culminates in the project Rastilho – Memorar a “Queima e Rebentamento do Judas” ACERT, 1986-2020, a compilation of several documents analyzed about the show during all the years of its existence. The relationship between the audience and the show has communicational characteristics in the broadest sense of the word, which is the main focus of this study.
This report results from the internship held at Trigo Limpo Teatro ACERT in the academic year of 2020/2021. It brings together a theoretical approach to what theater is: as a communication, creator of public space and, as a theatrical process, alterity and territory builder. The show “Queima e Rebentamento do Judas” by Trigo Limpo Teatro ACERT is studied and accompanied during the internship that culminates in the project Rastilho – Memorar a “Queima e Rebentamento do Judas” ACERT, 1986-2020, a compilation of several documents analyzed about the show during all the years of its existence. The relationship between the audience and the show has communicational characteristics in the broadest sense of the word, which is the main focus of this study.
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Keywords
teatro comunicação espaço público alteridade theatre communication public place otherness